Khuda Aur Mohabbat Season 03 Episode 17 Review 

Khuda Aur Mohabbat Season 03 Episode 17 Hal Pal Geo TV Drama Jun 04, 2021 Har Pal Geo TV. New Iqra Aziz Khuda Aur Mohabbat Drama Season 03 Episode 17 Aired on Jun 04, 2021 Geo TV Entertainment. Khuda Aur Mohabbat season 03 cast with Feroz Khan, Iqra Aziz and Junaid Khan.

Khuda Aur Mohabbat Episode 17. "Aaj tum ne aikk masoom dil toora hai, aur is dil tootne ke goonj tmhe umar bhar aab sunaye dege .." Mahi finally agrees to confront Farhad. Don't miss episode 17 of Khuda Aur Mohabbat this Friday at 8pm. only at Geo Entertainment.

Watch Khuda Aur Mohabbat Season 03 Episode 17 DailyMotion Live in high quality on the official channel of Geo TV Entertainment. Khuda Aur Mohabbat 03 Episode 17 in HD on High Quality Geo Tv Jun 04, 2021 Daily Motion Video.

Oh kay then, this scene covered the days shortly after Taimoor's death. Indeed, he was one such personality whose death should be mourned, and the way it was passed on seemed perfectly legitimate. Every one of the feelings, every reaction, the exhibits enlivened what the characters felt after losing Taimoor. His family, like Mahi's family, was heavily influenced and everyone dealt with it very differently, but the basic feeling was similar; Bitterness and sadness. Every single shell she touched was terrible and that was only conceivable given the veracity of its presentation. 

I sympathized with her anguish, her decline, and the emptiness in her mind that she felt after losing her child. Don't resist the urge to feel a touch of contempt for your little girl-in-law too. Despite the fact that Mahi didn't motivate her to feel this way, the way she responded showed that Taimoor's mother herself was out of perspective. She cannot be reprimanded for acting this way because she is weakened and has no idea how to react.

Mahi lost everything, she lost her significant other, the man she believed would secure and get her. The man whose thought of being her significant other filled  Mahi understands that this is her agony, that is discipline, and that she has to carry her weight.

Khuda Aur Mohabbat 3 Episode 17 Story Review 

Farhad returned and wondered what, no crooked balls there, in a matter of seconds he acquired another female fan; Yes, you got it right - Romana. The environment in which Farhad Romana walked was strange, yet she discovered something extraordinary and diverse in him. As much as I want to accept that such occurrences do occur, the way everyone around Farhad starts staring at him seems to be all in all too extensive at this point. All the misjudgment and the way it was coordinated made it a little delayed and ridiculous, maybe Munazzah Arif wasn't acting as she should have done to make her experience seem trustworthy.

This is only the beginning of the hardest time in Mahi's life, and from that second on she began to hear a variety of things. As much as Mahi may not pay attention to what others say, there is no guarantee that Taimoor's mother will not see and track her thoughts in these implications. In fact, throughout this whole scene, I'll say the feature was Hina Bayat and her perfect exhibition. Iqra Aziz was also remarkable and every single feeling was passed on with so much clarity that I really empathized with Mahi.

Convincing direction

There is no denying that Khuda Aur Mohabbat is a very coordinated dramatization. This scene was also executed perfectly and with such a solid headline I don't think the editors have to make themselves so dependent on the ambient noise and incessant laaps. There was no more wasted time in this scene as the alaaps, instead of adding depth to the scene, provided a significant interruption - to such an extent that I had to turn the volume down. I am rigorously against the 'rabbaaaaa' and the 'aaaaaaa'

especially claps in Rahat Fateh Ali Khan's voice because it just touches me. I really trust the scenes that are to come when the story moves away from melancholy, I won't hear those horribly bleak alaaps. That being said, some scenes sounded deceptively named, especially those shot on the train and the ones in which Mahi reveals to her relatives that she's not going anywhere. It appears to be in Khuda Aur Mohabbat 3, the uniform for the train is abaya and hijab - I realize the boss was insensitive in dealing with this part of the story, but the kind

and way in which hijab and abaya were used in this dramatization is very negligent of what that

The real substance of parda is. Especially when the females have to travel by train, they choose abayas because they think that this is the appropriate clothing for it.

In any case, the last scene of that scene was my first choice. The way Mahi Taimoor's fortune searches through all of it, with his entire closet actually feeling like every last bit of it is still in use. At that point, I felt like she would soon get to know him through his absence, with stories she would learn from his family. That scene was very moving and then, at that point, finally, Mahi found out how that relationship affected Taimoor, how it affected him - it was passed down beautifully, no doubt. The star of this scene was undoubtedly Hina Bayat and Iqra Aziz gave a convincing execution too. Please share your thoughts on this scene from Khuda Aur Mohabbat.